Odd One Out | Statement
The images in Odd One Out began as found photographs, purchased in antique stores and estate sales, of groups of people during special events, reunions, and family gatherings. The photographs are the spoils of a hunt, the proceeds of afternoons spent looking into the eyes of people I do not know and who may no longer be living. I select images of people who, unlike the rest of the smiling faces in the frame, bear looks of loneliness and longing that stop me in my tracks. Removed from their original context and meanings, I then digitally alter these photographs to segregate the one from the many, isolating the person from their surroundings by a field of white. The shape of the crowd is maintained, hinting at details of the group of which the person is a part, but with which they do not feel at home. The negation of the group serves to emphasize the presence of the one, to make visible the person who feels invisible. In constructing these images, I tell the story of the outsider, the odd one, those who are alone in a crowd.